Difference between revisions of "Team:Valencia UPV/Public Engagement"

 
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                         ">UPV Welcome Fest</a>
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                         ">Design Factory Exhibition</a>
 
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             <h4>Printeria: SynBio has never been easier</h4>
 
             <h4>Printeria: SynBio has never been easier</h4>
  
<p>Under the core values of <b>affordability</b> and <b>reproducibility</b>, Printeria is a <b>compact device</b> with which SynBio can be approached to the public in an <b>innovative, friendly</b> and <b>reduced-cost way</b>.  
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<p>Under the core values of <b>affordability</b> and <b>reproducibility</b>, Printeria is a compact device with which SynBio can be approached to the public in an <b>innovative, friendly</b> and <b>reduced-cost way</b>.  
</p><p>Thus, Printeria has been conceived as both and <b>educational and bioartistic tool</b>. With a <b>user-friendly</b> software, it can introduce SynBio into the <b>high school classrooms</b> without the necessity of expensive lab equipments. In the same way, it offers a wide range of opportunities for the <b>bioartist disposal</b>. </p><p>
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</p><p>Thus, Printeria has been conceived as both and educational and bioartistic tool. With a user-friendly software, it can introduce SynBio into the <b>high school classrooms</b> without the necessity of lab equipments. In the same way, it offers a wide range of opportunities for the <b>bioartist disposal</b>. </p>
To know how we have designed a compact high-tech device and how we have developed an intuitive software for the user learning, you can check the <a href="https://2018.igem.org/Team:Valencia_UPV/Hardware" target="_blank"> Hardware page </a> and <a href="https://2018.igem.org/Team:Valencia_UPV/Software" target="_blank"> Software page </a>, respectively.</p>
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<p>To prove Printeria social <b>usefulness</b>, we have explored <b> Printeria impact possibilities</b> into society. Moreover, we have fighted against common misconceptions in regard to genetic engineering and bacteria stigma, so creating a <b>willing atmosphere</b> for the <b>synbio integration</b>. </p>
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<p>To prove its social usefulness, we have explored Printeria <b>impact possibilities</b> into society. </p>
  
 
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<h4>Printone: express yourself</h4>
 
<h4>Printone: express yourself</h4>
<p>While creating our <a href="https://2018.igem.org/Team:Valencia_UPV/Part_Collection" target="_blank">Printeria Part Collection</a>, we wanted to provide bioartists with a complete <b>DNA toolkit</b> for their <b>artwork production</b>. To do so, we assembled several transcriptional units with our different colour reporters (<b>GFPmut3, sfGFP, YGP, mRFP1, amilCP </b>) and a variety of promoteres and RBS to get different tones.  
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<p>While creating our <a href="https://2018.igem.org/Team:Valencia_UPV/Part_Collection" target="_blank">Printeria Part Collection</a>, we wanted to provide bioartists with a complete <b>DNA toolkit</b> for their <b>artwork production</b>. To do so, we assembled several transcriptional units with our different colour reporters (<b>GFPmut3, sfGFP, YFP, mRFP1, amilCP </b>) and a variety of promoteres and RBS to get different tones.  
</p><p>In this way, we finally obtained <b>Printone</b>: a palette of pigmented bacteria, with different colours, fluorescence and intensities, for the entire disposal of the <b>bioartist creativity</b>. </p>
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</p><p>By this way, we finally obtained <b>Printone</b>: a palette of pigmented bacteria, with different colours, fluorescence and intensities, for the entire disposal of the bioartist creativity. </p>
 
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<p>FOTO tubos con diferentes COLORES</p>
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<p><a href="https://static.igem.org/mediawiki/2018/a/a3/T--Valencia_UPV--Printone2UPV2018.jpeg" data-lightbox="true"><img src="https://static.igem.org/mediawiki/2018/a/a3/T--Valencia_UPV--Printone2UPV2018.jpeg" alt=""></a></p><h6><a href="https://static.igem.org/mediawiki/2018/a/a3/T--Valencia_UPV--Printone2UPV2018.jpeg" data-lightbox="true"></a>Image 1. Some of our colours palette: <b>Printone</b></h6><a href="https://static.igem.org/mediawiki/2018/a/a3/T--Valencia_UPV--Printone2UPV2018.jpeg" data-lightbox="true"></a>
<p>Thanks to the knowledge and advices gathered as part of our <a href="https://2018.igem.org/Team:Valencia_UPV/Integrated_Human" target="_blank">Integrated dialogue</a> with bioartist María Peñil and his researcher collegue Mehmet Berkmen, we decided to explore the <b>Microbial Art</b> field: the creation of masterpieces with microbial living cells. </p>  
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<p>Thus, we used our bacterial palette to introduce, both <b>ourselves</b> and the <b>general public</b>, into the <b>Microbial Art</b>. We have tried several painting techniques, such as pipetting liquid medium or directly using inoculating loops as a brush. Indeed, we even sent some of our <b>Printone samples</b> to María and Mehemet, as they were really interested in testing the use of <b>genetic modified microorganisms</b> to paint their own artworks. </p>
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<p>Thanks to the information gathered as part of our <a href="https://2018.igem.org/Team:Valencia_UPV/Integrated_Human" target="_blank">Integrated</a> dialogue with artist professionals, such as María Peñil and his collegue Mehmet Berkmen, we decided to explore the <b>Microbial Art field</b>: creation of masterpieces with microbial living cells such as bacteria. </p>
 +
<p>Thus, we used our palette to introduce, both ourselves and the general public, to the <b>Microbial Art</b>. As María advised us, we tried several inoculating techniques to draw, such as directly pippeting liquid medium or using inoculating loops, to choose these that better fitted with the desired results. </p>
 +
<p>Indeed, we even sent some of our <b>Printone samples</b> to María and Mehemet, as they were interested in testing the use of our genetic engineered bacteria to paint their own artworks. Commonly, genetic engineered bacteria bright much more than natural strains, and some of them even express fluorescence, so the artistic possibilites are extended with this kind of microorganism. </p>
 
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         At the left, PhD Mehemet Berken and María Peñil holding Printeria's logo. At the right, the Printeria's logo we painted with the sowing handle technique.
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         Images 2 and 3. PhD Mehemet Berken and María Peñil holding Printeria's logo. You can also see our own Printeria logo painted in the lab.
 
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<p>While developing Printeria, we realized we had there the perfect way to approach SynBio to the non-researcher world. Thus, we organized the workshop <b>‘Bioartist for one day’</b>, in which we demostrated that Printeria living products could be used to create <b>authentic artworks</b>.</p>
 
<p>While developing Printeria, we realized we had there the perfect way to approach SynBio to the non-researcher world. Thus, we organized the workshop <b>‘Bioartist for one day’</b>, in which we demostrated that Printeria living products could be used to create <b>authentic artworks</b>.</p>
 
            
 
            
  <p> The activity took place in the <b>Mustang Art Gallery</b> (Elche), a cultural space dedicated to the diffusion of contemporary art. This workshop involved last year <b>high school students of arts, science and social sciences</b>, so we could interact with a wide range of different profiles. </p>
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        <p></p><p> The activity took place in the <b>Mustang Art Gallery</b> (Elche), a cultural space dedicated to the diffusion of contemporary art. This workshop involved last year <b>high school students of arts, science and social sciences</b>, so we could interact with a wide range of different profiles. </p>
  
  
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         High school students participating in the MAG workshop
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         Images 4 and 5. High school students participating in the MAG workshop
 
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<p>Then, using solid <b>agar plates</b> as a <b>canvas</b>, <b>inoculating loops</b> as <b>brushes</b> and the palette of <b>pigmented bacteria</b> we self-made in the lab as <b>tempera</b>, they blew their minds to do imaginative <b>Microbial Art</b>. </p>
 
<p>Then, using solid <b>agar plates</b> as a <b>canvas</b>, <b>inoculating loops</b> as <b>brushes</b> and the palette of <b>pigmented bacteria</b> we self-made in the lab as <b>tempera</b>, they blew their minds to do imaginative <b>Microbial Art</b>. </p>
   <p>As soon as they finished, petri dishes were collected and kept for a later incubation in our lab. Finally, a gallery of all their beutiful works was published in <a href="https://www.instagram.com/printeriaupv"> @printeriaupv</a> Instagram profile, so everyone could share them and create interest into the Bacterial Art. </p>  
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   <p><a href="https://static.igem.org/mediawiki/2018/8/8c/T--Valencia_UPV--MAGgirlUPV2018.jpg" data-lightbox="true"></a> As soon as they finished, petri dishes were collected and kept for a later incubation in our lab. Finally, a gallery of all their beutiful works was published in <a href="https://www.instagram.com/printeriaupv/" target="_blank"><b>@printeriaupv</b></a><b> Instagram profile</b>, so everyone could share them and create interest into the Bacterial Art. </p>  
 
<p>As a conclusion, this workshop was a total success, and both the public and ourselves were delighted to realize the beauty of the microbial world and its simple but yet appealing applications.
 
<p>As a conclusion, this workshop was a total success, and both the public and ourselves were delighted to realize the beauty of the microbial world and its simple but yet appealing applications.
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             </p><h6> Recopilatory of some of the high school students artworks </h6>
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             </p><h6> Image 6. Recopilatory of some of the high school students artworks </h6>
  
 
  <h4>Yturralde: fusion between art and science</h4>   
 
  <h4>Yturralde: fusion between art and science</h4>   
 
                   <p> José María Yturralde is an spanish artist widely known for his relationship with science.  He collaborated with artists and scientists to redefine his understanding of shapes, and explored ways that the mainframe computer could be used as a tool for his art (2). </p>
 
                   <p> José María Yturralde is an spanish artist widely known for his relationship with science.  He collaborated with artists and scientists to redefine his understanding of shapes, and explored ways that the mainframe computer could be used as a tool for his art (2). </p>
                     <p>In this context, we thought it could be a great idea to <b>introduce</b> him to the vast possibilities of the <b>BioArt</b>, and so learn about his life experiences all at once.
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                     <p>In this context, we thought it could be a great idea to <b>introduce</b> him to the vast possibilities of the <b>BioArt</b>, and so learn about his <b>life experiences</b> all at once.
                   </p><p>As part of this outreach collaboration, we decided to recreate one of his masterpieces, from the well-known collection <b>'Impossible Figures'</b>, with our own genetic engineered bacteria.  
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                      </p><p>  We introduced our attendee into the <b>basics of the synbio</b> and the  microbiology protocols. We also disscused the necessity of <b>integrating both art and science</b>, in order to broaden the social art perception. Finally, after showing him our laboratory facilities and the way to safetely handle lab material, he finally was eager to try by himself the creation of agar art.
                   </p><p>To do so, we printed a 3D mold to delimitate the barriers of the drawing, so we could inoculate each coloured bacteria in a compartiment of the solid agar medium. Finally, using bigger than usual agar dishes, we were able to recreate his artwork. After several trials with different colour tones and molds, the final result was perfect: </p>
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                      <h6>Images 7 and 8. Yturralde creating a Microbial Art piece</h6>
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                   <p></p><p>Moreover, as part of this outreach collaboration, we decided to <b>recreate one of his masterpieces,</b> from the well-known collection <b>'Impossible Figures'</b>, with our own genetic engineered bacteria.  
 +
                   </p><p>To do so, we printed a 3D mold to delimitate the barriers of the drawing, so we could inoculate each coloured bacteria in a compartiment of the solid agar medium. Finally, using bigger than usual agar dishes, we were able to recreate his artwork. After several trials with different colour tones and molds, the final result was perfect. </p>
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         Impossible figure artwork. Yturraldes's masterpiece and the equivalent Microbial Art version
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         Images 9-10. Yturraldes's masterpiece and our final Microbial Art version under UV light.
 
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                   <h3>Future generations</h3>
 
                   <h3>Future generations</h3>
 
                
 
                
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   <li>
 
   <li>
 
     <p><b>Printeria: how it really works? </b></p> <p> As SynBio is not only about biology, we thought it was highly important to demonstrate the role of engineering and electronics. Thus, we decided to explain them the basis of Printeria: how the digital microfluidic system allows us to control each biotech process with high accuracy.  
 
     <p><b>Printeria: how it really works? </b></p> <p> As SynBio is not only about biology, we thought it was highly important to demonstrate the role of engineering and electronics. Thus, we decided to explain them the basis of Printeria: how the digital microfluidic system allows us to control each biotech process with high accuracy.  
     <img src="https://static.igem.org/mediawiki/2018/a/ab/T--Valencia_UPV--PCBFINALUPV2018.jpeg" alt="" style="
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     </p><h6>Coloured droplets movent thanks to the Microfluidic Technology</h6>
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     </a></p><h6><a href="https://static.igem.org/mediawiki/2018/a/ab/T--Valencia_UPV--PCBFINALUPV2018.jpeg" data-lightbox="true"></a>Image 11. Coloured droplets movement thanks to the Microfluidic Technology</h6><a href="https://static.igem.org/mediawiki/2018/a/ab/T--Valencia_UPV--PCBFINALUPV2018.jpeg" data-lightbox="true"></a>
  
 
       <p>They were able to life in first person the <b>droplets controlled movement</b> around our PCB surface. Moreover, we showed several videos to ensure they could understand such kind of a priori complex concepts. As a result, many of them finished the activity being completely interested in <b>learning more</b> about the microfluidic technology and its future applications.  
 
       <p>They were able to life in first person the <b>droplets controlled movement</b> around our PCB surface. Moreover, we showed several videos to ensure they could understand such kind of a priori complex concepts. As a result, many of them finished the activity being completely interested in <b>learning more</b> about the microfluidic technology and its future applications.  
</p></li></ul>
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</p></li></ul><a href="https://static.igem.org/mediawiki/2018/a/ab/T--Valencia_UPV--PCBFINALUPV2018.jpeg" data-lightbox="true"></a>
  
 
<h4>Printeria: educational approach</h4>
 
<h4>Printeria: educational approach</h4>
 
<p>Printeria aim is to be used as an educational tool. Taking into account that, generally, people doesn't even know what SynBio, we realized it was necessary to ensure students could use Printeria in a <b>friendly but at the same time technically correct</b> way. </p>
 
<p>Printeria aim is to be used as an educational tool. Taking into account that, generally, people doesn't even know what SynBio, we realized it was necessary to ensure students could use Printeria in a <b>friendly but at the same time technically correct</b> way. </p>
<p>To do so, Printeria includes a <b>user-guide manual</b>, inspired in the ones that commonly come attached with ordinary printers, to explain the most basic user <b>how to proceed </b> once Printeria has arrived to his life. This manual includes biosafety measurements considerations, software interface explanations and hardware functionality. By using it, anyone could understand how to easily choose pre-designed transcriptional units or assemble his own desired TU.  You can all read the complete manual by clicking here:
 
  
 +
<p>We realized we needed to ensure not only the easy and explained use of Printeria, but also the <b>understanding of the biological processes</b> upon each step. Thus, we have developed an <b>biological handbook</b> to be used by both <b>teachers and students</b>. This can be read here:
 
   </p><div style="
 
   </p><div style="
                         text-align: center;"><a class="btn btn--primary-1" href="link" style="
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                         text-align: center;"><a class="btn btn--primary-1" href="https://static.igem.org/mediawiki/2018/f/f3/T--Valencia_UPV--BiologicalHandbookUPV2018.pdf" style="
 
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                         <span class="btn__text">Printeria user manual</span>
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                         <span class="btn__text">Biological handbook</span>
                        </a>
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                    <p></p>
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<p>However, we realized that, to reach a real educational approach, we needed to ensure not only the easy and explained use of Printeria, but also the <b>understanding of the biological processes</b> upon each step. Thus, we have developed an <b>activity booklet</b> to be used by both <b>teachers and students</b>. This didactical example activities can be read here:
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                        <span class="btn__text">Activity booklet</span>
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                   <h3>European Research Night </h3>
 
                   <h3>European Research Night </h3>
 
                
 
                
                   <p>The European Research Night is a <b>wide-public event</b>, promoted under the EU Programme Horizon 2020,  whose objective is to to encourage the <b>scientific vocations</b> and lay public interest into science.  
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                   <p>The European Research Night is a <b>wide-public event</b>, promoted under the EU Programme Horizon 2020,  whose objective is to to <b>encourage</b> the <b>scientific vocations</b> and lay public interest into science.  
 
                   </p>
 
                   </p>
 
<h4> Activity </h4>
 
<h4> Activity </h4>
                   <p> As part of this event the City of Arts and Science, one of the biggest scientific and cultural leisure complexes in Europe, organized a complete program of <b>free access activities</b>. We were invited to be part of this program, so we decided to explain Printeria future applications to a public from different ages, who also dialogued with us about common <b> synbio misconceptions</b>. </p>
+
                   <p> As part of this event the <b>City of Arts and Science</b>, one of the biggest scientific and cultural leisure complexes in Europe, organized a complete program of free access activities. We were invited to be part of this program, so we decided to present there Printeria future applications to a <b>public from different ages</b>, who <b>dialogued</b> with us about common synbio misconceptios. </p>
                   <p><img src="https://static.igem.org/mediawiki/2018/2/27/T--Valencia_UPV--Nit2018.jpg" alt=""></p>
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<h6>Part of Printeria team in the European Research Night of Valencia</h6>
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<p> <a href="https://static.igem.org/mediawiki/2018/8/81/T--Valencia_UPV--TeamNitUPV2018.jpg" data-lightbox="true"><img src="https://static.igem.org/mediawiki/2018/8/81/T--Valencia_UPV--TeamNitUPV2018.jpg" alt=""></a></p><a href="https://static.igem.org/mediawiki/2018/8/81/T--Valencia_UPV--TeamNitUPV2018.jpg" data-lightbox="true">
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<h6>Images 12-13. Part of the UPV_iGEM team in the European Research Night of Valencia</h6>
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                   <h3>UPV Welcome Fest</h3>
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                   <h3>Design Factory Exhibition</h3>
 
                
 
                
 
                   <p> UPV_iGEM is part of the Design Factory Global Network, a network of universities innovation hubs  whose mission is to create change in the world of learning through passion-based culture.
 
                   <p> UPV_iGEM is part of the Design Factory Global Network, a network of universities innovation hubs  whose mission is to create change in the world of learning through passion-based culture.
 
</p><h4> Activity </h4>
 
</p><h4> Activity </h4>
<p>As part of the Design Factory Exhibition, we we had the chance to show Printeria to all the <b>university community</b> and to introduce the <b>basic concepts</b> of SynBio to those who didn't know about them. This was a <b>worthy experience</b>, as many university students were interested in knowing more about SynBio once listening about our project. </p>
+
<p>As part of the <b>Design Factory Exhibition</b>, we had the chance to <b>show Printeria</b> to all the <b>university community</b> and so introduce the basic concepts of SynBio to those who didn't know about them. </p>
<p><img src="https://static.igem.org/mediawiki/2018/e/ef/T--Valencia_UPV--GeneracionUPV2018.jpg" alt=""></p>
+
  <p>We included some visual divulgation posters to attract their attention, such as <a href="https://static.igem.org/mediawiki/2018/2/20/T--Valencia_UPV--PosterGEUPV2018.pdf" target="_blank">this one</a> or <a href="https://static.igem.org/mediawiki/2018/8/82/T--Valencia_UPV--PlacasGEUPV2018.png">this BioArt compositions</a>. </p>
<h6>Printeria stand in the Design Factory Exhibition</h6>
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<p>This was a <b>worthy experience</b>, as many university students were interested in knowing more about SynBio once listening about this year project. </p>
 +
<p><a href="https://static.igem.org/mediawiki/2018/e/ef/T--Valencia_UPV--GeneracionUPV2018.jpg" data-lightbox="true"><img src="https://static.igem.org/mediawiki/2018/e/ef/T--Valencia_UPV--GeneracionUPV2018.jpg" alt=""></a></p><h6><a href="https://static.igem.org/mediawiki/2018/e/ef/T--Valencia_UPV--GeneracionUPV2018.jpg" data-lightbox="true"></a>Image 14. Printeria stand in the Design Factory Exhibion</h6><a href="https://static.igem.org/mediawiki/2018/e/ef/T--Valencia_UPV--GeneracionUPV2018.jpg" data-lightbox="true"></a>
  
 
<p></p>
 
<p></p>
<h4>References</h4>
+
<h5>References</h5>
  
<p>(1) Bioart: An introduction
+
<p>1. Bioart: An introduction
 
https://www.sciencedaily.com/releases/2015/11/151123203619.htm </p>
 
https://www.sciencedaily.com/releases/2015/11/151123203619.htm </p>
 
                      
 
                      
<p>(2) Bravo, E. G. &amp; García, J. A. (2015). Yturralde: Impossible Figure Generator. Leonardo 48(4), 366-374. The MIT Press. Retrieved October 8, 2018, from Project MUSE database. </p>
+
<p> 2. Bravo, E. G. &amp; García, J. A. (2015). Yturralde: Impossible Figure Generator. Leonardo 48(4), 366-374. The MIT Press. Retrieved October 8, 2018, from Project MUSE database. </p>
  
  
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Latest revision as of 10:58, 7 December 2018

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Social outreach: exploring the relation between art and science
Education: enhancing hand-on STEAM curricula for the future generations
European Research Night: fighting against common SynBio misconceptions
Design Factory Exhibition: promoting SynBio to the university community

CONTACT US igem.upv.2018@gmail.com